Game review: Days Gone is the PS4’s most contentious exclusive
Days Gone (PS4) – not exactly what you might imagine
The biggest PlayStation 4 exclusive of the year is filled with zombies, bikers, and an unfortunate sense of déjà vu.
Season: A Letter To The Future review — the waking simulator on a bike
It’s very likely that you’ve got completely the wrong idea about Days Gone. If you’ve seen all the footage of giant hordes of zombies roaming around an open world then you might reasonably assume that they were the focus of the game’s story and gameplay. But they’re not. For the vast majority of the time you’re only dealing with small groups of the undead and frequently none at all. Days Gone is certainly not what we expected and picking through whether that’s a good or a bad thing is surprisingly difficult.
The closest comparison by far for Days Gone is Red Dead Redemption II. From the similar (but nowhere near as pretty) open world environment to the simple gameplay mechanics and constant talking while you’re riding to and from missions, the similarities are strikingly obvious – even the use of music is the same. Which is surprising, in that Days Gone has been in development for six years and Rockstar’s sequel didn’t come out until right at the end of that.
Of course, the original Red Dead Redemption was around before that and either way Rockstar’s games are far from the only obvious influence at work. At times (the first 10 hours in particular) Days Gone seems like just a bland mis-mash of every open world game ever made, but eventually it finds its own voice, even if it doesn’t have quite the range you’d hope for.
Days Gone casts you as the improbably named Deacon St. John, a relatively good-hearted biker who is a bit of an ass but never in an extreme enough manner to be actively interesting.
The game opens with him, his wife Sarah, and his best friend Boozer attempting to escape a zombie outbreak, which ends with the apparent death of Sarah and the two bikers taking up the life of drifters in a post-apocalyptic wasteland where absolutely everybody has a motorcycle.
Once the game proper begins Boozer is immediately injured. And while there’s some concern that he may get blood poisoning you begin to realise that one of the game’s main faults is its aimless and meandering storyline. Thematically, Days Gone tries to play up the traditional zombie movie conceit that it’s humans that are the real monsters, but it doesn’t do so in any new or interesting manner.
Days Gone clearly wants to take itself seriously but it lacks any real grit and even things like there being a class of child zombie never has the shock value it should. The dialogue is all very dry and unengaging, and the game is not even remotely scary – and we don’t think it’s even trying to be.
There’s an attempt to reuse some familiar movie tropes and stock characters, particularly towards the end of the game, but they’re handled poorly, with not nearly enough depth in their characterisation.
Similarly, there’s some vague attempts to dabble in gender politics, but the game doesn’t commit to it and by the end you’re just rescuing the princess as usual.
Days Gone (PS4) – the weather effects are nice, but snow disappears very quickly
The mechanics and key gameplay elements are each introduced fairly gracefully but they’re so generic that if you’ve played any open world game in the last 10 years you’ll instantly feel at home. Stealth is a little more important than most similar games, but it’s no more complicated than just crouching all the time and hiding in long grass if it’s available – there isn’t even a dedicated cover system for combat.
There have been a lot of comparisons to The Last Of Us in the run-up to the game’s release and the location and zombies are clearly very similar. You craft traps and health potions in a near identical fashion, throw rocks to distract enemies, and attempt to make zombies and human enemies fight amongst themselves if you can. But the gameplay was never the primary draw with The Last Of Us and Days Gone benefits little from copying it.
These complaints are not as serious as they might seem though and the basic action in Days Gone is perfectly enjoyable. The stealth, shooting, melee combat, and motorcycle riding are all perfectly competent – which may not sound much of complement but many open world games get one or more badly wrong and it’s actually unusual to play something that really is a jack of all trades. The only major mechanical flaw is the fiddly item wheel and the curiously unresponsive weapon swap button on the joypad.
What really lets the side down though is the artificial intelligence for human enemies, which is embarrassingly poor. Everyone not only has a goldfish memory and myopic vision, but they respond to stimuli in such a robotic manner that we frequently ended up shooting (with a silencer or crossbow) multiple enemies in the same spot, making a pile of dead bodies to rival the zombie hordes. We’re still not sure if it’s a bug or not but human enemies seem oblivious to dead bodies and will often stand right on top of them without saying a word.
Perhaps the inevitable day one patch will fix them, but the game is filled with low-level bugs and glitches, not just in terms of the artificial intelligence but characters floating in mid-air, broken physics, and landscapes that suddenly turn into bare hills. Although almost as annoying is the frustratingly long load times that pop up between each switch from gameplay to cut scene and back again – completely ruining the atmosphere and making you wish everyone would just shut up and get on with it.
The first third of the game is a slog to get through and manages to make the game seem so bland and predictable we almost wanted to give up. But the second act revolves around a cult of crazed zombie worshippers that finally adds some momentum to the story, which leads into the third act that in turn also switches up the locations and threats.
So unless you absolutely hate the game from the start we would advise persevering, even if the final chapter never lives up to its initial promise.
Days Gone is a very strangely structured game in general, not least because the zombie hordes play no real role at all until right near the end. They appear in a couple of side missions before that, where you learn that they’ll chase after you in a huge swarm but give up if you go too far and snap back to their lair as if pulled by a giant rubber band. They’ll do this so quickly at times that it looks comical, as they pile back into whatever train car or cave they were hiding in.
Days Gone (PS4) – bikers vs. zombies
You only get the weapons needed to combat hordes halfway through the third act and there’s only a handful of story missions that involve destroying them. A peculiar process that ends up like an ultra-violent Benny Hill sketch, where Deacon insists on taking on 400 zombies on his own by setting traps and ambushes, getting the zombies to chase him, then hiding and coming back to do it again and again until they’re all gone.
It’s precisely as silly as it sounds (we kept wondering why they didn’t just get a hot air balloon or something) but we liked the fact that the game gives no real instruction on how to tackle the hordes and you have to evolve your tactics with experience – most of which occurs in side missions after you’ve completed the main story.
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The use of the hordes seems a terrible waste, considering we thought that was the whole point of the game. But it seems even more wasteful given how unimaginative the missions design tends to be, with most of it being some variation of ‘go to a location and kill a small camp of humans.’
Days Gone is repetitive, unimaginative, and surprisingly rough around the edges but to our own surprise we can’t pretend we didn’t get some mildly addictive pleasure from it. Much in the manner of the more middling Assassin’s Creed titles, there’s a strange sort of comfort to playing and completing such an undemanding game, with its constant stream of minor rewards – even if they’re just a tick on a list of completed missions.
We wouldn’t particularly recommend Days Gone, and it’s certainly not in the same league as most of Sony’s other PlayStation 4 exclusives, but while we don’t look back at our days with it with any sense of wistfulness we don’t resent the time spent on it either.
In Short: A peculiarly constructed open world zombie game that sidelines its most unique features in favour of generic action and unengaging storytelling.
Pros: The zombie hordes are an impressive technical feat and learning to deal with them is interesting. Competent gameplay mechanics and plenty of content.
Cons: The story and characters, and really the game as a whole, is very derivative and dry, with repetitive missions and a strange lack of zombies for a lot of the time.
Score: 6/10
Formats: PlayStation 4
Price: £54.99
Publisher: Sony Interactive Entertainment
Developer: Bend Studio
Release Date: 26th April 2019
Age Rating: 18
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The shortest line of the Moscow metro — Kashirskaya-Kakhovskaya — Radio 7 on seven hills.
Music for all time.
08/06/2021
Walks with Smirnov
Every year on the second Sunday of August in Russia (and before that in the USSR) Builder’s Day is celebrated . It all started in 1955. Then Nikita Sergeevich Khrushchev admired the construction of Zhigulevskaya HPP and decided to hold Builder’s Day next year. This year the event is celebrated for the 65th time. nine0003
Builder’s Day was widely celebrated in Soviet times. The opening of parks, stadiums, monuments, socially significant buildings and entire neighborhoods was timed to coincide with Builder’s Day . On the eve of the holiday, socialist competitions unfolded.
These traditions have become entrenched in modern life. Today, not a single Builder’s Day is complete without the opening of new schools, hospitals, bridges, residential buildings. And this year (traditionally) by this day new metro stations, interchanges, restored facilities will open.
I propose to remember the days of the past. And all sorts of «features». Here, for example, at 19In 74, metro stations «Kaluzhskaya» and «Belyayevo» were opened in Moscow, and 5 years before that, the shortest branch of the Moscow metro appeared in Moscow — «Kashirskaya-Kakhovskaya» . The average travel time along the entire line was about 5 minutes, the average speed of the rolling stock was 39 km/h.
In 2019, it was abolished in order to later be included in of the Big Circle Line . When they’re done. Station «Kakhovskaya» is interesting in its decoration: it has octagonal columns and inserts on the walls dedicated to the Civil War — after all, the station (like the street) is named after Kakhovskoe bridgehead , where in 1920 the Red Army stopped the offensive of troops Wrangel . While it is closed, but they promise to open just about.
A Kashirskaya is the first built cross-platform transfer in the Moscow Metro .
True, the first built does not mean the first put into operation: this glory went to the metro station «Nogina Square» (now — «Kitay-gorod» ). There are two halls at Kashirskaya . nine0005 Eastern and Western . And they used to be very easy to distinguish: in the East hall, the columns were lined with gray marble, and the floor was lined with red-scarlet granite. The track walls were lined with white ceramic tiles and decorated with artistic inserts on the theme «Life of the Country». During the reconstruction, it is planned to replace the lining of the track walls with dark green marble, as well as the lining of the columns with white marble.
And in West Hall , the columns were lined with black-green marble, and the floor was paved with granite in two shades of gray. Currently, work is underway on the track walls to replace the blue ceramic tiles with white marble.
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In general, it was very colorful and provocative. Let’s see how it will be. They promise to do it by the end of August. Something, but the builders of Russia know how to meet the deadlines.
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Olnyanoy pond and Prosyanskaya dam
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Butyrka tram depot
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A walk around Moscow for technology lovers
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Capital subway at the weekend waiting for pandemonium again | Articles
will include those who do not pay due attention to the notification of the closure of stations
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DECT
next weekend in the capital the subway is expected to crush. On November 26 and 27, the section of the Zamoskvoretskaya line from Belorusskaya to Novokuznetskaya will again be closed. The reason is the same — repair work, sound insulation is being laid in the metro to improve the acoustics of the underground hall of the Bolshoi Theater.
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Meanwhile, the closure of stations on the Green Line last weekend came as an unpleasant surprise to most Muscovites. According to eyewitnesses, crowds of passengers tried to pass through the closed doors, many of the blocked passages caused panic.
In turn, Svetlana Tsareva, a representative of the metropolitan subway, said that there were more than enough reports of station closures. According to her, the subway began to notify passengers through the media a month before X-day. A week later, announcements were posted at all stations, in addition, sound notifications were regularly broadcast over the speakerphone on all escalators. “On the days of closing stations — 19and on November 20 — the machinists in every metro train reminded of this, — Svetlana Tsareva explained. “That is, we have used all the channels at our disposal.”
She also emphasized that crowds are inevitable in such situations. “No matter how much you inform, there are always people who overslept, missed, suddenly returned from a business trip and did not hear anything,” Tsareva said.
«It’s a common story.» According to her, there were no serious incidents during the closing of the stations. Therefore, by next weekend, the metro does not intend to introduce additional information measures. Tsareva noted that the announcements at the stations are still hanging, in addition, messages are broadcast over the speakerphone. And on November 26, machinists throughout the subway will again begin to warn passengers about upcoming inconveniences. nine0093
SUE «Mosgortrans» also does not intend to revise its schedules — there will be no compensatory routes from Novokuznetskaya to Belorusskaya. “At the same time, twice as many trolleybuses No. 1 and 12 will go on flights these days, as they did last weekend,” said Elena Demchenko, head of the press service of the Mosgortrans State Unitary Enterprise.
Tsareva added that it is “physically impossible” to carry out soundproofing work in even shorter timeframes. “Everything was calculated many times,” she said.
“Specialists are already working tirelessly. This is a unique technically complex event – you need to disassemble the track, install vibration protection mats, and then put everything back together again.” nine0093
Meanwhile, experts note that the metro has never been able to inform citizens well. According to Vladimir Sviridenkov, an expert from the City and Transport public organization, passengers usually do not read announcements at stations. “They are not bright and large enough, they are written in clerical language,” he explained.
According to Sviridenkov, in the West, in such cases, transport workers negotiate with telecom operators, and cellular companies organize SMS notifications for passengers. However, in general, last weekend there were no more people in the metro than on weekdays at rush hour, and trolleybuses along Tverskaya were completely empty, Sviridenkov noted. nine0093
Most of the passengers who had to walk half the center of Moscow over the weekend later expressed their outrage on social networks and blogs.
