Daymare 1998 2: Daymare: 1998 on Steam

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Score distribution:

1. Positive:

   26
   out of 41

2. Mixed:

   5
   out of 41

3. Negative:

   10
   out of 41

1. I really liked it, the puzzles are fabulous and it’s very 90s.
   I appreciate both an indie title and it has come this far. Fabulous music andI really liked it, the puzzles are fabulous and it’s very 90s.
   I appreciate both an indie title and it has come this far. Fabulous music and thrilling atmospheres!… Expand

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2. I really appreciated the vintage survival horror atmosphere, the look and feel of the game are pretty neat It gave me chills! Well played,I really appreciated the vintage survival horror atmosphere, the look and feel of the game are pretty neat It gave me chills! Well played, Invader Studios, I think they did an amazing job. … Expand

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3. 
   




4. A great game with a real «survival horror» feelings. The reloading system is an amazing game mechanics!

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5. En lo que llevo jugado se nota que con poco presupuesto han hecho un survival mas que decente. Tiene sus fallos pero no estamos puntuando un AAA

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6. Many complain about the inventory management and about Bullet management, I think it is actually one of the best parts of the game. The peopleMany complain about the inventory management and about Bullet management, I think it is actually one of the best parts of the game. The people that complain do not understand what a survival horror game is about. The clunky controls, hard inventory management, slow moving characters and enemies that are Bullet sponges are all there to create tension, to actually make you worried and tense about the next part of the game. Bottom line if you are old school, tank control Resident Evil fan you will certainly enjoy this game… Expand

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7. 
   This review contains spoilers, click expand to view.
   

   Talk about a game thats hot and cold. Daymare is a love letter to everything horror and retro but sadly some features stop it from seeing its full potential. The good: old school survival horror gameplay. If you love the classic RE gameplay like me then pick 90’s mode. Its how it should be played. The easter eggs and references are really cool to see and you can feel the love the developers have for classic horror and sci fi franchises. The soundtrack is very good, love the use of synth is used in the game.

   The bad: weird how a game that was meant to be a fan made remake of RE2 has worse voice acting than the original RE2. hell, its even worse than the first RE game, Dr Atherton and Liev are the worst offenders Atherton sounds like a Btec Moss from I.T crowd and Piev’s voice is just so hamfisted. The story is also baffling and more nonsensical than the room. Characters talk about things we dont know about, character motivations switch put of the blie. Liev betraying the squad for no reason and sandman surviving. All in all it’s ok. Just really inconsistent. If you love classic survival horror then i’d get this. If it’s on sale then defo get it… Expand

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8. 
   This review contains spoilers, click expand to view.
   

   Pure garbage fire! I’ve just spent the last hour attempting to complete the last boss section thinking, surely past the clunky, glitchy, badly designed, awful controls I would be able to complete the section AS I’M PLAYING ON EASY! No, there’s always something that glitches out and the boss kills me in one hit. The elevator video playing whilst the boss is running towards you and when the camera flashes back I’m on the floor dead is just unacceptable! The normal enemies holding onto you and sometimes pressing X does nothing so you have to watch your character slowly die for a reload because the game hasn’t been properly tested! The last straw was when shot a canister dead on and knocked down the boss, ran past him then his instant death animation suddenly plays and i’m dead, AGAIN!

   A truly awful way to end my dedicated perseverance due to this game having led the path of what I feel is one of the greatest genres of game, I stuck with it’s clunkyness though out, yet to be totally insulted at the end just due to sheer incompetency gives this game it’s well deserved ZERO out of 10! Simply AWFUL!… Expand

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Trailers

• Daymare: 1998 – First Gameplay Trailer

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• Daymare 1998 — Official Launch Gameplay Trailer

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Awards & Rankings

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Daymare 1998 — PlayStation 4

• Multi-character POV – see the story from different angles and discover the truth
• Fearsome enemies – rendered in detail with lifelike animations and dismemberment
• Realistic HUD – check inventory, health and position on a given piece of equipment
• Environmental puzzles – finding your way around is not always easy, so look for clues
• Classic mechanics — limited ammo and save points, backtracking, collectibles, tough enemies and more
• Modern graphics and effects – not everything is old-school, thanks to Unreal Engine 4
• Experience the 90s – the game is a homage to the era, with tons of references.

Daymare: 1998 is a third-person survival horror game with hardcore survival mechanics and
unyielding enemies. It requires a strategic approach to combat and puzzles and offers a
multi-character perspective of the story, revealing deep and obscure lore.
The scene is set with a secret research facility, a deadly chemical weapon, and a special
security team tasked with investigating an incident with the potential to become more
than a routine security breach. Follow the steps of an elite soldier, a helicopter pilot, and a
forest ranger as they play out their roles in an event that transforms one peaceful small town
into a dead-zone and its citizens into bloodthirsty monsters. Take the creatures down first,
and then look for any clues or evidence that you can piece together to make sense of the chaos.
Keep track of your inventory, as resources will be scarce! Anything can happen when your
daymares become real.

General

Gameplay

Fandom

Dimension

Product Specifications

Product Height	0. 4
Product Weight	0.1
Product Length	4.4
Product Width	3.53

Ratings & Reviews

2.9

Star FilledStar FilledStar Three Quarter FilledStar OutlinedStar Outlined

rated 2.9 out of 5

26 product ratings

5 Stars

77 5 stars reviews

4 Stars

44 4 stars reviews

3 Stars

44 3 stars reviews

2 Stars

11 2 star review

1 Stars

1010 1 stars reviews

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Top Customer Reviews

A resident evil clone but done RIGHT

Star FilledStar FilledStar FilledStar FilledStar Filled

rated 5. 0 out of 5

Heroof98

9 months ago

If you love resident evil 4 biohazard and survival horror you must own this game.

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Daymare 98

Star FilledStar FilledStar FilledStar FilledStar Outlined

rated 4.0 out of 5

Eeeeeeeeeeeee

Verified Purchaser

10 months ago

Its hard with the puzzles to open doors but pretty cool 90’s theme of zombies and fun story line, its still interesting. Thank you

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Daymare 98

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rated 3.0 out of 5

Cassidy89

Verified Purchaser

11 months ago

If you are a fan of the resident evil franchise there’s nothing wrong with going with this it’s just a good game and I like it

Guest Care

11 months ago

Thank you so much for sharing your thoughts, we are glad to hear you are enjoying your game!

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Daymare’s bad review

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rated 1. 0 out of 5

SnoopyLuv

Verified Purchaser

1 year ago

Very cheesy. I do enjoy a lot of games that are cheesy and not AAA games but this game was bad. Trailer is very deceiving. It is labeled as a cheesy horror game like a 90’s horror game which is what drew me in but then was so let down. The graphics were cheesy which was fine to me but then the controls were very stiff and weird. The gameplay was bad and the movement of player and monsters was bad and stiff. Shooting was horrible. This was a real let down.

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Resident Evil style, Positive Game

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rated 4.0 out of 5

Dazinator24

2 years ago

i enjoy it simply because it brought memories of when i was playing resident evil remastered its obvious the game makers are fans of capcom resident evil and made their own version and i enjoy it. thanks 🙂

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Questions & Answers

2

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Top Questions

Q

:

Will this game be split screen?

BrezzyBoss2 years ago

A

:

Single player only 

Slyman242 years ago

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Q

:

Has the release date for this game on PS4/XB1 changed? I keep seeing a 4/28 release date online.

iEatHotWings2 years ago

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Natural lighting systems: basic criteria, examples of implementation and calculation

Natural lighting. It’s amazing that it doesn’t cost anything. At the same time, our main task is to be able to manage it. Since one of the most discussed topics in the world is global warming and colossal carbon dioxide emissions, the introduction of energy-saving systems has now become especially relevant.
Our laboratory is located in Austria, near Innsbruck, and has existed since 1976 and now employs more than 50 people. Lighting Laboratories Bartenbach is an independent office that designs, but does not manufacture, lighting systems.
In 2003, the Light Academy Bartenbach was founded. After a successful two-year training, newly minted specialists receive state diplomas of graduation from this institution and the degree of Master of light and lighting (“Master in the field of lighting”).
Through our own R&D department, we study both artificial and natural lighting systems in detail. In the process of work, we visualize many projects using real layouts. To do this, in our laboratory there is a workshop that manufactures them. For the customer, this opportunity is very important, since neither beautiful photographs nor computer visualizations will allow him to fully appreciate the lighting both inside the building and outside.

In addition, we can show how the lighting will be at different times of the day, and in real time. For this purpose, we use the «Artificial sky» installation (see Fig. 1). Together with the layout, this possibility is an additional argument for a faster and, most importantly for us, a positive decision.

Fig. 2. Natural lighting system of the Shanghai Bank in Hong Kong (illustrated by the Bartenbach Academy of Light)

Another department that is part of our laboratory is the Department of Perceptual Psychology, where all aspects of human perception of light are studied and analyzed. As a rule, such projects are state-owned and financed either by the Austrian government or the European Union.
First natural lighting project in the early 1980s. for us was the Shanghai Bank in Hong Kong (see Fig. 2). Its main feature is that daylight is redirected inside the room with the help of a huge reflector and passes down through special prisms on the roof of the building (see Fig. 3).

Natural lighting design

Which criteria are important when designing natural lighting? There are many, but the main ones are as follows.
1. Transmission of the maximum amount of daylight into the room in which the person is located.
2. Uniform distribution of light in the room and almost complete rejection of artificial lighting during daylight hours. It should be noted that in one of the major projects we have achieved savings of about 300 thousand euros per year only due to the fact that artificial lighting was not used during the day.
3. It is necessary that too much sunlight enters the building. The illumination of the workplace, for example, in the office, should be 300 … 700 lx. The illumination on the street in cloudy weather is about 10 ⁴ lux. The infrared component of solar radiation, due to which an excessive thermal load occurs, should be constantly monitored. Our task is to illuminate, but not to heat. Careful calculation of the system allows in the summer to reduce the cost of energy consumption, which is spent on air conditioners.
4. Reduce glare to a comfortable level.
5. People in the room should not lose visual contact with the external environment, with the street. For example, if we are talking about a window, you need to keep its main function.

So, the key problem is not the lack, but the excess of daylight. It blinds and negatively affects the performance of office employees.
Are you familiar with this situation? Bright light from the window makes the information on the monitor illegible. (See Fig. 4).

Shielding a room from glare using standard methods reduces window glare but reduces the amount of natural light inside the room.
Many intelligent systems are now known to protect a room from direct sunlight and to redirect diffused daylight deeper into the room. Consider two lighting options using the example of an office. In the next photo (see Fig. 5) — an office with lamellas that redirect light into the interior of the room and reduce the blinding effect of light from the window.

This system was developed in our laboratory and has been used for a long time.
Through a highly reflective ceiling, daylight is redirected into the interior of the room. We use the ceiling with the same coating for artificial lighting. It can be seen that there is not a single lamp on the ceiling — they are located below, due to which the artificial light falls at the same angle as the natural one. Thus, high-quality natural lighting was realized and, at the same time, artificial lighting.

The next project is Genzyme Corporation Headquarters, Cambridge, USA (see Figure 6.1). This building has 13 floors, the facade is fully glazed. In the center of the building is an atrium that spreads light throughout the building. For the natural lighting system, we used both the facades and the atrium itself, and in doing so, illuminated 90% of all building workspaces. For side lighting, the already mentioned reflective lamellas were used.

On cloudy days, the system functions in such a way that natural light is redirected deep into the offices. If the sun is shining and direct rays fall on the facade, the system redirects them, letting only the necessary portion of light into the room, without increasing the heat load on the office premises.
This building uses 42% less electricity than similar buildings. We are very proud that it received the Green Build Platinum Award, the highest rating for quality energy efficient building design in America.
A professional approach to natural lighting design also contributed to this 42%. Thanks to natural lighting, we have reduced, on the one hand, additional artificial lighting to a minimum, and on the other hand, we have ensured that the energy consumed by the air conditioning system has decreased significantly.
The following photo (see Figure 7.1) shows the project in section. On the roof of the building are prism systems that redirect light. These are special acrylic boards made in the form of prisms. If the sun’s rays hit the prism at a right angle, they are reflected back. If the light falls at a different angle, it passes through the prism and penetrates into the room, scattering inside.

The position of the movable prisms is optimized according to the movement of the sun. While working on the project, we also wanted to create a visually beautiful room, that is, to revive it from the inside with the help of sunlight. We completed not only functional tasks, but also enlivened the room due to a sufficient amount of sunlight.
Heliostats are installed on the roof of the building — special reflectors that capture sunlight and redirect it to an additional reflector, which, in turn, directs it inside the building. Photo 7.2 is a top-down view of the building. Special prismatic elements, reflecting sunlight, distribute it in a chaotic way, thanks to which people in the building have positive emotions even on the first floor.

Entering this building, you immediately find yourself in a cozy atmosphere. Because the atrium is animated by sunbeams, it doesn’t feel like there are 13 more floors above you.
In order to make the natural light come down as efficiently as possible, the walls of all floors are highly reflective (the degree of reflection is more than 90%) aluminum coating, thanks to which the light is not lost, but redirected down as efficiently as possible.
It should be noted that in the next project we used prismatic systems for the first time in such a large number — the roof was almost completely covered with them. This is the building of the German Parliament in Bonn. You can see what the room looks like inside, its ceiling (see Fig. 8).

If the buildings are too close together, the possibility of transmitting natural light to the first floors facing the courtyard (see Fig. 9) is very small.

In this project, which was carried out in Munich, one wall of the courtyard was covered entirely with highly reflective aluminum, redirecting daylight down the courtyard and doubling the light level.
These movable lamellas (see fig. 10) also follow the sun, so no matter where it is, daylight is reflected down the yard. Thanks to this solution, we were able to illuminate the office space on the ground floor with the amount of daylight that meets the accepted standards.

In many buildings, the following openings can be used to transmit natural light into the interior (see fig. 11, 12).

This is an ordinary opening without any installations. If aluminum reflectors are strengthened in it, then the amount of natural light under this opening will triple. This is how the design of the Zurich airport building was completed.
Thanks to the reflectors, there was no glare even at an angle — see view from bottom to top (fig. 13).

The next project (see Fig. 14) was commissioned last year. This is the third terminal of Singapore Changi Airport. Our laboratory dealt with both artificial and natural lighting for this project.

Only by reducing the consumption of artificial lighting, more than 3 million kW of electricity were saved annually. Thus, during this period, 2,400 tons of carbon dioxide, emitted during the generation of electricity, or during the operation of engines for more than 9 years, did not enter the atmosphere. 00 cars. This is a huge building. The area of ​​its roof alone occupies more than 65 thousand square meters. m.
The architectural idea was to create light openings in the form of sails. Based on this idea, we tried to implement natural lighting in the building and built a model to test the quantitative indicators. The layout was made on a scale of 1:33 (see Fig. 15).

We have tested its performance in an installation that simulates natural light. It is called «Artificial Sky» and has a diameter of 6 m (see Fig. 1). Similar layouts can be placed inside it and check any lighting that occurs during daylight hours. As already noted, the customer can easily and quickly make a decision based on the model.
More than 900 of these rectangular openings were installed throughout the roof area (see Fig. 16).

Each of them has one movable element, which we affectionately called «butterfly wings» due to the similarity in design with the wings of this insect (see fig. 17).

If the sky is cloudy, the element is perpendicular to the site and open. If direct sunlight hits the opening, the blades are covered. Even if the sun is high and its rays fall perpendicularly, the «butterfly wings» are opened in such a way that they completely block the opening (see Fig. 18).

It is very bright inside because the elements are 20% perforated. A certain amount of sunlight flows down unhindered, creating optimal illumination inside the room. Thanks to these blades, we were able to greatly reduce the light load by reflecting the majority of the direct sunlight outward. Of course, in Singapore there is also a dark time of the day when artificial lighting is required. We have strengthened the light sources inside this opening (see fig. 19).

The big advantage of this solution is that there is no heat load due to artificial lighting. Maintenance is very easy because it can also be carried out outside. To remove the blinding effect of natural light, to redirect it downwards, a parabolic-type opening was created. In this case, the highly reflective property of aluminum was again used.
In figure 20 — the device of a parabolic opening and butterfly wings.

General photographs show that daylight does not glare (see fig. 21).

Only where the greenhouse with palm trees is located inside the building receives dosed, brighter sunlight (see Fig. 22).

Only a few openings have this function, because we wanted to avoid high light load. To feel the sun, a bright day, good weather, these elements are enough.
This photo shows (see fig. 23) how a small light tube can illuminate, for example, an underground car park. Thanks to this lighting, a person loses the feeling that he is in an underground space.

Figure 24 shows the upper part of the light guides, brought out into the street.

Daylight simulation

Naturally, we can’t help but talk about cases where it is not possible to use daylight inside buildings. Therefore, we use materials that mimic daylight.
With aluminum ceilings, we create a sense of daylight, as the room appears to be twice as tall. It can be seen that artificial lighting systems that are almost imperceptible to the eye can be built into such aluminum ceilings. They are made on a LED basis (see Fig. 25).

We developed such an LED system in the laboratory — through small holes with a diameter of 8 mm, you can illuminate the entire room (see Fig. 26, 27).

The developed modules are also used for white ceilings: you see an example of a room that is lit exclusively with LEDs operating in the «daylight» and «evening» modes. In this case, it is important that in the evening the light is softer and warmer than during the day (see Fig. 28, 29).

Thus, in a room where there is no sunlight, the system maintains the psycho-physiological balance of a person, the work of his internal biological clock.
Another option is to use materials with a prismatic, jagged cross-section instead of glossy or matte materials. It can be seen (see Fig. 30) that the height of the ceiling in this case is small, but at first glance it seems that it is much larger.

Luminaires located on the wall. Thanks to the microstructure of the ceiling, the light falls at a right angle down. The positive effect of such lighting is that the height of the room seems much higher than it actually is.
Well, naturally, within the framework of one article, it is difficult for us to reveal all the subtleties of the design and application of natural lighting systems. But we hope that we will still have the opportunity to speak on the pages of the Modern Lighting Engineering magazine. See you soon!

Andreas Danler, Dipl. -Ing. Electrical, has been with the Bartenbach LichtLabor since 1989. Until 1998, Head of the Department of Artificial and Natural Lighting Design. Since 1998, Andreas has been responsible for creating conceptual design ideas, advising on technical and engineering issues. As Executive Director of Lighting Design since 2003, responsible for project management. Since 1998 he has taught at the Institute for Interior Design at the University of Stuttgart. Since 2003 he has been teaching at the Bartenbach Light Academy (Lichtakademie Bartenbach). Conducted lighting seminars since 2000 (for the Stuttgart Architectural Association IFBAU, Augsburg Technical College, etc.)

Yana Mazurenko, lighting designer From 2001 to 2008 — Lighting Consultant, Lutz Shopping Centre, Austria. 2006 to 2008 – Bartenbach Light Academy, MLL diploma (Master of Light and Lighting). From 2008 to present he has been working at the Bartenbach Light Laboratory as a lighting designer in the design team.

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To get around the traffic jam, several motorists decide to drive through the tunnel connecting Manhattan and New Jersey, the same decision is made by a convoy of trucks illegally transporting toxic waste. Having made a successful robbery, a group of criminals flies into the same tunnel. Losing control, their car crashes into trucks, and the strongest explosion destroys the tunnel. A handful of survivors remain under the rubble: one of the guards of the tunnel, a writer, an athlete, a married couple with a daughter, an elderly couple with a dog, and several transported teenage criminals. Former rescuer Keith Latura, who now works as an ordinary taxi driver, drives up to the tunnel. He quickly figures out what happened and comes up with a plan to save the people. According to his plan, it is necessary to blow up the tunnel again in order to protect people from poisonous smoke. Salvation leaders do not agree with this.

Finally, Keith is allowed to descend into the tunnel through the ventilation system. At this time, the athlete Roy Nord is trying to get out through the ventilation passage under the river bed. The whale makes his way to the survivors and climbs after Swarm. He tries to persuade him to return, as the passage is badly damaged and could collapse at any second. The arrogant athlete does not listen to him and climbs further, the passage collapses and Roy fills up. The whale returns to the survivors. The collapse causes another explosion, which kills Kadiim, a black teenage criminal. Almost immediately after that, the ceiling collapses and cold water begins to flow into the tunnel. Everyone climbs onto the roofs of cars so as not to suffer from hypothermia. Kit sends sentinel George to check on the progress of the rescuers, and he himself asks for help from the writer Madeleine to carry out his plan. Everything works out, and the clay cuts people off from water and fire.

The mayor of the city believes that the survivors most likely died in another explosion. He orders the rescuers to proceed with the analysis of the rubble. George returns and reports that the rubble has begun clearing. This greatly displeases Keith, as these works can bring down the tunnel. At that moment, the asphalt collapses under George, and he is trapped with a broken neck. Together, everyone else manages to pull it out. Keith does not know what to do next, and in the meantime, due to the work of rescuers, water begins to flow rapidly into the tunnel again. The survivors abandon George and head to the booth the builders used earlier and remembered by Keith. In this booth, they find a hole in the wall, they begin to widen the passage at the moment when the water began to fill the booth. In the booth, they lose Eleanor, the wife of the elderly Roger Trilling. The survivors find a ladder leading to some kind of sewer system. At that moment, they hear the barking of a dog that belonged to an elderly couple. Keith decides to return to save her, but he himself is trapped, Madeleine tries to save him, but also to no avail. The rest manage to make it to the surface. Keith decides to set up another explosion. Together with Madeleine, he returns to the completely flooded tunnel, sets explosives on the ceiling, intending to blow up a layer of soil so that the blast wave causes decompression, and the rushing air would carry them to the surface. Everything works out, and they end up on the surface, where they are picked up by the nearest ship. Keith suggests going to the hospital across the bridge.

tfzivuunlg

Daylight is an emotionally rich film, although not particularly confused in terms of deep meaning. The film was shot well, viewing is free, without registration, the experience is interesting, but for once.

June 22, 2013

no, what is it? there is no time to climb between the fans, the papers barely barely fly, and he is tearing himself up as if blown away by the wind, here all interest in the film disappeared

February 6, 2022

Rob Cohen originally planned to invite Nicolas Cage to play the lead role. But the management of Universal Studios considered that Cage was more of a character actor, while Stallone was more commercially successful.

While racing through the tunnel, the grille of the robbers’ Cadillac is either in great shape or completely torn out.

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